TOEFL TPO 69 Writing Task 1 Sample: Summarize the points made in the lecture, being sure to explain how they cast doubt on the specific points made in the reading passage.

1.子项得分 任务完成度：3 组织：3 连贯与衔接：3 语言使用：3

2.预估分数

20. 3.任务完成度

这篇文章在任务完成度方面还有很多提高的空间。首先，文章没有明确总结听力材料中的观点，而是将阅读和听力材料的观点混合在一起。建议在文章开头简要介绍阅读和听力材料的观点，并在正文部分详细解释听力材料是如何反驳阅读材料的。此外，文章没有完全回答问题，例如未解释清楚听力中关于魔法仪式的观点。

例1：改进后的开头：“The reading passage argues that the cave paintings of Lascaux were created to ensure successful hunts, while the lecturer in the listening material casts doubt on this view by providing counterarguments.”

例2：改进后的结尾：“In conclusion, the lecturer effectively refutes the reading passage's claim that the Lascaux cave paintings were made to ensure successful hunts by presenting counterarguments regarding the animal subject matter, human figures, and magical properties of the images.”

4.文章结构与组织 从结构和组织方面来看，这篇文章需要更加清晰地划分段落。建议将每个反驳观点单独成段，并使用恰当的过渡词来引导读者。此外，文章的开头和结尾可以更加明确地总结阅读和听力材料的观点。

例1：改进后的段落划分：“Firstly, the lecturer challenges the reading passage's claim that the animal subject matter of the paintings indicates a connection to hunting. (解释听力观点)”

例2：使用过渡词：“On the other hand, the lecturer argues that these depictions in the paintings do not necessarily show that people are hunting animals. (解释听力观点)”

5. 语法批改

In the reading passage, the author proposes three considerations to support the view that the cave paintings were made to ensure a successful hunt. However, the lecturer in the listening material thinks these considerations are not accurate and gives counterarguments. First and foremost, the author believes that there is the animal subject mattersubject(subject matter (subject)) of the paintings. These animals are shown wounded by arrows and spears. Nevertheless, the lecturer argues that the animals in these paintings may not be hunted by hunters. For example, some animals like wild cattle can not be hunted by arrows and spears. As a result, there is no definite association between the paintings and hunting. Secondly, even though the author thinks that humans that appear to have animal heads can not be recognized by the animals that they are hunting, the lecturer argues that these depictions in the paintings do not show that people are hunting animals. The purpose humansof humans(This rule identifies whether the preposition 'of' is missing in a sentence.) to disguise themselves with animal heads is not definite. They may sleep in this way. Hence, we do not know what (Two consecutive spaces)this is about. Finally, the author's third consideration is that by depicting an eventevent,(This rule identifies whether commas are missing in a sentence.) one can bring about its reality. This is also countered by the lecturerlecturer,(This rule identifies whether commas are missing in a sentence.) who points out that this behaviourbehavior(misspelling) is not made to ensure hunting. For instance, the humans may use this way

Section title: 6.文章修订

In the reading passage, the author presents three arguments to support the notion that the purpose of the cave paintings was to ensure successful hunts. However, the lecturer in the listening material contends that these arguments are not convincing and provides counterpoints for each.

Firstly, the author emphasizes the animal subject matter of the paintings, particularly those depicted as wounded by arrows and spears, as evidence of their connection to hunting. In contrast, the lecturer asserts that not all animals in these paintings were necessarily hunted by their creators. For instance, certain animals like rhinoceroses and cats may not have been hunted at all. Furthermore, reindeer were known to be heavily hunted during this period, yet they are absent from the paintings. Consequently, there is no definitive link between these artworks and hunting activities.

Secondly, while the author suggests that human figures with animal heads could represent hunters disguising themselves to avoid detection by their prey, the lecturer disputes this interpretation. According to him, these figures do not depict hunting scenes; rather they are shown lying down in a horizontal position as if asleep. Additionally, there is a lack of contextual information within these images that would help clarify their intended meaning. Thus, it remains uncertain what these particular depictions signify.

Lastly, although the author argues that creating images of successful hunts could have been believed to bring about their reality due to magical properties attributed to such artworks throughout history, this point is also challenged by the lecturer. He highlights that even if these images were thought to possess magical powers, it does not necessarily mean they were used specifically for ensuring successful hunts. For example, many cultures believe in communicating with ancestral spirits through ceremonies involving animal imagery; it is possible that such rituals played a role in creating Lascaux cave paintings instead. (308 words)

In the reading passage, the author proposes presents three considerations arguments to support the view that notion that the purpose of the cave paintings were made was to ensure a successful hunt. hunts (changed "proposes three considerations" to "presents three arguments" for clarity and conciseness). However, the lecturer in the listening material thinks these considerations contends that these arguments are not accurate and gives counterarguments. convincing and provides counterpoints for each (rephrased "not accurate" to "not convincing" for a more natural tone).

First and foremost, Firstly, the author believes that there is emphasizes the animal subject matter of the paintings. These animals are shown paintings, particularly those depicted as wounded by arrows and spears. Nevertheless, spears, as evidence of their connection to hunting (revised sentence structure for clarity). In contrast, the lecturer argues that the asserts that not all animals in these paintings may not be were necessarily hunted by hunters. their creators. For example, some instance, certain animals like wild cattle can not rhinoceroses and cats may not have been hunted at all (provided specific examples for better understanding). Furthermore, reindeer were known to be heavily hunted by arrows and spears. As a result, during this period, yet they are absent from the paintings. Consequently, there is no definite association definitive link between the paintings and hunting. these artworks and hunting activities (revised sentence structure for clarity).

Secondly, even though while the author thinks that humans that appear to have animal heads can not be recognized by the animals that they are hunting, the lecturer argues that these depictions in the paintings do not show that people are hunting animals. The purpose humans to disguise themselves suggests that human figures with animal heads could represent hunters disguising themselves to avoid detection by their prey, the lecturer disputes this interpretation (clarified meaning). According to him, these figures do not depict hunting scenes; rather they are shown lying down in a horizontal position as if asleep. Additionally, there is not definite. They may sleep in this way. Hence, we do not know what this is about. a lack of contextual information within these images that would help clarify their intended meaning. Thus, it remains uncertain what these particular depictions signify (revised sentence structure for clarity).

Finally, the author's third consideration is that by depicting an event one can Lastly, although the author argues that creating images of successful hunts could have been believed to bring about its reality. This their reality due to magical properties attributed to such artworks throughout history (clarified meaning), this point is also countered challenged by the lecturer who points out that this behaviour lecturer. He highlights that even if these images were thought to possess magical powers, it does not necessarily mean they were used specifically for ensuring successful hunts (revised sentence structure for clarity). For example, many cultures believe in communicating with ancestral spirits through ceremonies involving animal imagery; it is not made to ensure hunting. For instance, the humans may use this waypossible that such rituals played a role in creating Lascaux cave paintings instead (provided an alternative explanation for better understanding).

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8. Mind Map

9. Keywords

Section title: 6. Article Revision

In the reading passage, the author presents three arguments to support the notion that the purpose of the cave paintings was to ensure successful hunts. However, the lecturer in the listening material contends that these arguments are not convincing and provides counterpoints for each.

Firstly, the author emphasizes the animal subject matter of the paintings, particularly those depicted as wounded by arrows and spears, as evidence of their connection to hunting. In contrast, the lecturer asserts that not all animals in these paintings were necessarily hunted by their creators. For instance, certain animals like rhinoceroses and cats may not have been hunted at all. Furthermore, reindeer were known to be heavily hunted during this period, yet they are absent from the paintings. Consequently, there is no definitive link between these artworks and hunting activities.

Secondly, while the author suggests that human figures with animal heads could represent hunters disguising themselves to avoid detection by their prey, the lecturer disputes this interpretation. According to him, these figures do not depict hunting scenes; rather they are shown lying down in a horizontal position as if asleep. Additionally, there is a lack of contextual information within these images that would help clarify their intended meaning. Thus, it remains uncertain what these particular depictions signify.

Lastly, although the author argues that creating images of successful hunts could have been believed to bring about their reality due to magical properties attributed to such artworks throughout history, this point is also challenged by the lecturer. He highlights that even if these images were thought to possess magical powers, it does not necessarily mean they were used specifically for ensuring successful hunts. For example, many cultures believe in communicating with ancestral spirits through ceremonies involving animal imagery; it is possible that such rituals played a role in creating Lascaux cave paintings instead.